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Issue 6: A New World
Issue 5.1: Gravity
Issue 4.2: Form as Function
Issue 4.1: Space
Issue 3.2: Flash/Flesh
Issue 2.1: Ways Into the Text
Issue 1.1: Edges of the Print

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“What a monster she was”: Revising the Politics of Desire in Anaïs Nin’s Delta of Venus

“What a monster she was”: Revising the Politics of Desire in Anaïs Nin’s Delta of Venus

Yan Kin Wai, Jason

"The Empire Strikes Back": Postcolonial Ultranationalism as British Self-Effacement

"The Empire Strikes Back": Postcolonial Ultranationalism as British Self-Effacement

"Shattered Visions of God": Materiality & Mirror Images in Ingeborg Bachmann's "The Book of Franza"

"Shattered Visions of God": Materiality & Mirror Images in Ingeborg Bachmann's "The Book of Franza"

Maybe It's Just Porn: An Analysis of Sex in Thomas Pynchon's Gravity's Rainbow (1973)

Maybe It's Just Porn: An Analysis of Sex in Thomas Pynchon's Gravity's Rainbow (1973)

Nur Amira Bte Osman

"The Full Moon was Granny's Round Face": The Conflation of the Universal and the Personal

"The Full Moon was Granny's Round Face": The Conflation of the Universal and the Personal

Witnessing the Witness in Anuk Arudpragasam's The Story of a Brief Marriage

Witnessing the Witness in Anuk Arudpragasam's The Story of a Brief Marriage

Time and Tradition in the Künstlerroman

Time and Tradition in the Künstlerroman

Chan Si Ying Angela

"A click of a closing box" or "imprisoning marble": Form as 'Menace' or 'Atonement'

"A click of a closing box" or "imprisoning marble": Form as 'Menace' or 'Atonement'

Manipulating Irony and Affect in the Art of Charlie Chan Hock Hye

Manipulating Irony and Affect in the Art of Charlie Chan Hock Hye

Issue 6 : A New World

Edited and compiled in Singapore

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