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Issue 6: A New World
Issue 5.1: Gravity
Issue 4.2: Form as Function
Issue 4.1: Space
Issue 3.2: Flash/Flesh
Issue 2.1: Ways Into the Text
Issue 1.1: Edges of the Print

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“What a monster she was”: Revising the Politics of Desire in Anaïs Nin’s Delta of Venus

“What a monster she was”: Revising the Politics of Desire in Anaïs Nin’s Delta of Venus

“What a monster she was”: Revising the Politics of Desire in Anaïs Nin’s Delta of Venus

Yan Kin Wai, Jason

"The Empire Strikes Back": Postcolonial Ultranationalism as British Self-Effacement

"The Empire Strikes Back": Postcolonial Ultranationalism as British Self-Effacement

"The Empire Strikes Back": Postcolonial Ultranationalism as British Self-Effacement

"Shattered Visions of God": Materiality & Mirror Images in Ingeborg Bachmann's "The Book of Franza"

"Shattered Visions of God": Materiality & Mirror Images in Ingeborg Bachmann's "The Book of Franza"

"Shattered Visions of God": Materiality & Mirror Images in Ingeborg Bachmann's "The Book of Franza"

Maybe It's Just Porn: An Analysis of Sex in Thomas Pynchon's Gravity's Rainbow (1973)

Maybe It's Just Porn: An Analysis of Sex in Thomas Pynchon's Gravity's Rainbow (1973)

Maybe It's Just Porn: An Analysis of Sex in Thomas Pynchon's Gravity's Rainbow (1973)

Nur Amira Bte Osman

"The Full Moon was Granny's Round Face": The Conflation of the Universal and the Personal

"The Full Moon was Granny's Round Face": The Conflation of the Universal and the Personal

"The Full Moon was Granny's Round Face": The Conflation of the Universal and the Personal

Witnessing the Witness in Anuk Arudpragasam's The Story of a Brief Marriage

Witnessing the Witness in Anuk Arudpragasam's The Story of a Brief Marriage

Witnessing the Witness in Anuk Arudpragasam's The Story of a Brief Marriage

Time and Tradition in the Künstlerroman

Time and Tradition in the Künstlerroman

Time and Tradition in the Künstlerroman

Chan Si Ying Angela

"A click of a closing box" or "imprisoning marble": Form as 'Menace' or 'Atonement'

"A click of a closing box" or "imprisoning marble": Form as 'Menace' or 'Atonement'

"A click of a closing box" or "imprisoning marble": Form as 'Menace' or 'Atonement'

Manipulating Irony and Affect in the Art of Charlie Chan Hock Hye

Manipulating Irony and Affect in the Art of Charlie Chan Hock Hye

Manipulating Irony and Affect in the Art of Charlie Chan Hock Hye

Issue 6 : A New World

Edited and compiled in Singapore

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